Tag: Music

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Blog

Happy Birthday

This week my blog is one year old.

Yes, it’s a full 12 months since I tentatively published my first post – Crunchy Fruit & Nut Pilaff. The idea was to blog about my twin loves of Good Food, Great Music, with a name inspired by the title of the first Buzzcocks album Another Music in a Different Kitchen.

Narrative posts would be published here twice weekly on Word Press, with shorter, more frequent updates on Twitter @differentkitch. Posts would be accompanied by a favourite music track, added to an ever growing Spotify Playlist.

113 posts, 382 tweets and 87 songs later, that is pretty much how things have panned out. Followers across my three chosen platforms currently total 1,371 – thanks to every one of you whether you have read, baked, or hummed along.

Total Word Press views have been 3,427, spread well (a bit like the jam shown below) across all kinds of recipe and post. However, the three most viewed posts suggest that you are a sweet toothed lot. Top is The Sweetest Feeling, about afternoon tea at the home of Tiptree jam in Essex, see below.

It is followed by Cappuccino Cake…

and Double Choc Cherry Muffins…

Total Word Press likes have been 2,077. The award for most likes goes to Stairway to Heaven – posted from a famously named canalside cafe, reimagining an inspired Jimmy Page sat there with 12 string guitar and home-made scone.

It is closely followed in likes by Passion Fruit and Lime Pots…

and Selkirk Bannock – a Scottish tea bread that many seem to have found irresistible (and it is)…

I’m grateful to all our guest posters – Eva, Jon, Kelvin, Lesley and Pam for their delicious creations. Here’s Eva’s Austrian Apple Cake as one example…

I’ve posted while on my travels over the year – from the Commonwealth Games in Birmingham, from Qatar, Australia (see below), and various parts of the UK. Adding to an international flavour has been the likes and kind comments received from readers in countries all around the world. Thank you! There will be more interesting travel in the year ahead.

The roster of favourite bands whose live performances I have posted about include Roxy Music, Fatboy Slim, Elton John (shown below), Inspiral Carpets, Arctic Monkeys, Muse and Billy Joel. Phew – equalling that list will take some doing in the next 12 months. I will see what I can do.

A reminder that the entire back catalogue of posts and recipes on A Different Kitchen can be accessed from the categories list or search facility at the foot of the home page. Similar posts are also highlighted at the foot of whichever post you are reading. Go explore!

Continuing the birthday/let’s-eat-cake theme, here’s an appropriately titled track for the Playlist: Michael Jackson with Don’t Stop ‘Til You Get Enough.

A special shout-out to loyal follower, Nina, whose actual birthday it is today.

Onwards into a second year. I’ll be back on Wednesday with a brand new recipe.

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Blog Music

Piano Man

This weekend I went to see Billy Joel play live at the British Summer Time Festival in Hyde Park, London.

Early on in the set, he announced that he had good news and bad news. The bad news was that he had no new songs to play. The good news was that this meant he would play all his greatest hits. Cue a loud cheer from the festival crowd.

And what an impressive roster of hits he has. I associated him most with easy listening, FM station-friendly ballads like Just the Way You Are and She’s Always a Woman. His set showed, however, a very much wider range of musical influences.

He’s in piano jazz territory with New York State of Mind, gospel in River of Dreams, and a capella with a hint of doo wop on The Longest Time.

His rock n roll side is there to see on We Didn’t Start the Fire and It’s Still Rock and Roll To Me. Then there are simply great pop songs like An Innocent Man, My Life, Tell Her About It and Movin’ Out.

It was clear that his backing band are very able musicians, and I liked the fact that, unselfishly, he gave over space to them to showcase their talents. This was unexpected and helped keep the set fresh. In the middle section of River of Dreams, the percussionist took centre stage for some powerful lead vocals as they segued into River Deep, Mountain High, Later in the set, the guitarist sang Nessun Dorma, with Billy accompanying him on the piano. The encore included a rousing version of A Hard Day’s Night.

Possibly the greatest reception came for Piano Man, his song about the hopes and fears of a set of characters in a New York bar, told from the view of the resident pianist. The whole of Hyde Park joined in the singalong chorus. Joe Jonas from the Jonas Brothers came on to help sing Uptown Girl, which must be a contender for the perfect pop song (and which I am adding to the ADK Playlist).

On one of the hottest days of the year, Billy Joel played all these hits and more, carrying on for 2 hours as the sun slowly set over London. Now in his mid-70s, I do not know if he will perform on these shores again, but if not, this was a special and memorable way to bow out.

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Blog

Don’t Look Back Into the Sun

I recently spent a few days in Margate on England’s Kent coast. I had heard a lot about how it was regenerating itself from a classic, but decaying, traditional seaside resort into a modern centre for music and the arts, with independent cafes and eateries.

Beach, food, music and the arts – it sounded like my kind of place.

The town’s provenance as a centre for the arts is well founded. The long sea front has unbroken views facing west, and the quality of the natural light is what reputedly attracted classical artist JMW Turner to reside and paint here. The description of the light is accurate – there are cracking sunsets every evening, especially this time of year when the days are long (see my main photo above for one example).

This is the home of Tracey Emin, and the town’s heritage trail is full of references to other legendary Brits who have also made this their place of abode. Here is the vista that inspired TS Eliot to write his epic poem The Wasteland. Hawley Square, with imposing terrace houses looking out over a beautiful old public garden, has been home to John Keats, Lord Nelson and, erm, Hawkwind.

The artistic regeneration has been kickstarted by the arrival of the Turner Contemporary Art Gallery, built on the site of the guesthouse that Turner stayed in while visiting here. It has a huge window looking out to sea, dressed for our visit by Brazilian abstract artist Beatriz Milhazes. It reminded me of a stain glassed window, see below.

Dreamland, shown below, is a 1930s amusement park, restored to all its retro glory and serving also now as a venue for visiting bands. The summer programme includes Placebo and Queens of the Stone Age, so they are clearly having success in attracting top quality music.

Near the Turner, and just across from the main beach, is the Old Town. Programmed for clearance in the 1960s, it was, thankfully, saved and is now a thriving centre for independent shops and cafes. We enjoyed grabbing a takeaway coffee or sandwich and taking it over to eat on the beach. Takeaway of choice was Sub Rosa, which specialises in fresh bagels. Below is my soft, chewy and delicious ‘everything’ bagel with cream cheese.

It is impossible to tire of the views across the sands, see one example below.

In another direction, you may just spot one of Antony Gormley’s iron men figures gazing out to the horizon. Be warned, however – he does get completely submerged at high tide (the statue that is, not Antony Gormley, obvs).

While there is lots to enjoy and get excited about at Margate, I do need to add some note of caution and balance, before everyone signs up to a short break there. The regeneration is still, very much, a work in progress! The arty points of interest, vintage clothes shops, adventurous foodie cafes and cappuccino bars rub shoulders with a serious amount of shabby and decaying buildings, graffiti and neglected public spaces. If that sort of thing disturbs you, then it may be best to leave your visit till the rebirth of the town is a little further down the road.

With its juxtaposition of crumbling facades of a once great English seaside resort, artistic heritage and modern day grunge, you may be excused for thinking Margate would be the perfect place for those bohemian songsters, The Libertines, to open a boutique hotel. Well, guess what? Pete, Carl and co have invested in the Albion Rooms, a stylishly kitted out 8 room hotel with bars and music venue (see below). It also has a recording studio, which is used both by The Libertines and local indie bands.

So I will finish by adding The Libertines to the ADK Playlist. Here’s a track that could easily have been written about the glorious view from Margate’s beach, just across from the Albion Rooms. This is Don’t Look Back Into the Sun.

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Sides

Royal Blood Orange Salad

Now here’s a vibrantly coloured salad to liven up your patio table and get your summer lunch guests talking.

Slices of fresh orange are combined with wafer thin slivers of raw beetroot, in a sweet and sour dressing, topped with roasted pumpkin and sunflower seeds infused with the taste of fennel.

The inspiration came from a chef I admire a lot, Hugh Fearnley-Whittingstall. That deep shade of purpley-red that the fruit takes on from the beetroot juices (see my photo above) reminded me of blood oranges. As the music of Brighton duo, Royal Blood, was playing a lot in the ADK Kitchen when I was making this, I decided to call it my Royal Blood Orange Salad.

Still with me? Here’s how it’s made.

Servings

This is a side salad, rather than a main. Along with other salads as part of a summer lunch table, it will serve 4 people.

Timings

10 mins to chop and prepare, before leaving to marinate for 2 hours before serving. 15 mins to make the roasted seed topping, which is added just before serving.

You Will Need

  • 2 small beetroot, raw
  • 2 medium sized fresh oranges
  • 3 tbsp white wine vinegar
  • 1 tsp soft brown sugar
  • seasalt and freshly ground black pepper

For the roasted seed topping:

  • 2 tbsp fennel seeds
  • half tsp seasalt
  • 1 and a half tsp caster sugar
  • 40g pumpkin seeds
  • 40g sunflower seeds
  • 1 tbsp rapeseed or olive oil

Method

  1. Peel the outer skin from the beetroot. Using a vegetable peeler, cut the beetroot into wafer thin slivers.
  2. Trim the top and bottom off each orange. Then, standing each orange on a chopping board, trim off the skin and pith, leaving a fleshy orange ball. Cut horizontally into slices about 1cm thick.
  3. Put the beetroot and orange in a bowl and add the white wine vinegar, sugar, salt and pepper. Toss to combine, and place in the fridge to marinate for a couple of hours.
  4. Meanwhile, prepare the seed topping. Begin by pre-heating the oven to 180C.
  5. Using a pestle and mortar, grind the fennel seeds, salt and sugar to a fine powder. Then place the powder in a bowl with the pumpkin and sunflower seeds, oil and 1 tbsp water, and stir to combine.
  6. Line an oven tray with baking paper, and spread the seed mix out upon it. Place in the oven for about 8 mins.
  7. Remove from the oven and allow to cool.
  8. Remove the marinated orange and beetroot from the fridge, giving it a gentle stir. Sprinkle the cooled seed mix over and serve.

Customise It!

Mmm, an interesting one! There’s quite a delicate mix of flavours and colours in here, so I’m wary of messing too much with it. There is something faintly oriental about the sweet and sour dressing, so the next time I make this I think I will try Chinese 5 spice in place of the fennel seeds and see how that goes.

The roasted seed mix I really liked, so much so that I kept some for snacking on (see my photo below). It was also great as a topping sprinkled over muesli at breakfast time.

I was experimenting with this salad in the days before seeing Muse at Milton Keynes Bowl (see Hysteria for more). Royal Blood were supporting Muse at the concert, and I was playing their music in the ADK Kitchen in preparation for seeing them live.

They were great to see, and went down very well with the 65,000 crowd. I was particularly interested to see if and how Mike Kerr could reproduce that distinctive sound when playing live. If you haven’t heard them, he manages to draw a very expansive range from one bass guitar, making it sound like he is playing two or more guitars. I noticed he was making a lot of use of foot pedals to achieve distortion. Incredibly, he could produce chords by simply banging the frame of the guitar with his fist, without touching any of the strings.

Royal Blood are popular, well regarded and critically acclaimed. It is very much deserved. Here they are with Boilermaker.

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Blog

Hysteria

My summer of great live music continued this weekend, with a trip to the 65,000 capacity Milton Keynes Bowl to see Muse.

I’ve been a fan of the globetrotting Devon trio for many years, but until now have been put off going to see them live by the fact they only ever play enormous venues. However, with the current Will of the People Tour and album being another massive critical and commercial success, I decided that this was going to be the only way I would ever see them play. So, last autumn I took the plunge and decided to join the Ticketmaster online queue to buy tickets.

Muse are known for putting on a spectacular live show, and this one lived up to those expectations. The stage production was dramatic, exciting and high quality, with burning fire on stage, streamers and confetti spraying out over the arena, and searchlights beaming across the night sky.

Huge screens relay scenes from the band’s own post-apocalyptic science fiction movie, in which masked and hooded freedom fighters rebel against a towering, horned tyrant. The backdrop to the stage is a huge, animated model of one such fighter, the mask of which acts as a prism through which constantly changing lights and colours are emitted. The band members are intense and energetic, and the whole production high octane.

Ironically, I read a recent interview with singer/guitarist Matt Bellamy, in which he said the band had decided to make their current stage show less complicated than previous tours!

While the stage show is amazing to watch, it is ultimately the music that counts, and the band were on top form. They played for 2 hours and featured tracks from right across their career, from early songs like Plug-In Baby and Hysteria, to new songs from Will of the People. I’m pleased to say they took in lots of my favourite tracks, such as Starlight, Supermassive Black Hole, Undisclosed Desires, Madness and Psycho.

I have only ever been to Milton Keynes twice before, and each time to see a concert at the Bowl. The first time was David Bowie on his Serious Moonlight Tour, and the second time for Simple Minds on their Once Upon a Time tour. Both of those were quite a while ago, so it is good to see that the Bowl is once again hosting top quality bands like Muse.

It is something of a trek for me to get to Milton Keynes and back, but I am really glad I made the effort on this occasion. Next up on my exciting summer of live music will be Billy Joel in London.

Wow! A few days’ rest and recovery are in order, and I’ll be back at the weekend with some food-related stuff. In the meantime, here are Muse at their hi-energy best, with Hysteria.

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Blog Music

When the Sun Goes Down

I spent a great evening this week, in the company of 45,000 other music fans, witnessing the arrival of the Arctic Monkeys in Southampton, on the UK leg of their 2023 world tour.

They were in great form, performing tracks from across their back catalogue, as well as some from their most recent album, The Car.

It is now around 17 years since they made a big splash on the music scene, with their cleverly written cameos of northern life set over brash and urgent guitars. Alex Turner’s lyrics, were, and have remained, consistently witty and well-crafted.

Like many others present for the show, I have liked their music since those early days, so the decision to open their set with a rousing version of Brianstorm got the evening off to a terrific start.

Anyone listening to their most recent album will know that, these days, their influences seem to be as much Burt Bacharach as The Strokes, with the gentle melodies, crooning vocals, acoustics and string arrangements that fill out The Car. A number of those featured here, namely Body Paint, Perfect Sense and There’d Better Be A Mirrorball. For the latter, the Monkeys’ very own mirrorball descended from the rafters, glistening and illuminating the vast stage as it rotated.

In total, the set lasted 1 hr 45 mins, culminating with an encore of I Wanna Be Yours, I Bet You Look Good on the Dancefloor, and R U Mine.

Funniest part of the evening came during a set from the support act, Swedish rockers The Hives (who were terrific). Singer and frontman Pelle Almqvist had said to the audience on a number of occasions how pleased they were to be in Southampton, and then decided to ask some fans in the front row to introduce themselves. Where are you from? he asked the first young man. Portsmouth came the reply.

Anyone who has experience of fierce rivalry between neighbouring cities will understand how a small chorus of boos then emerged from around the mosh pit. I got the impression the significance was rather lost a bit on Pelle, however.

I will definitely be adding the Hives soon to the ADK Playlist, so watch this space.

My favourite tracks in the show were probably a very upbeat and rocky 505, and the extended version of Body Paint, which looks to have become something of an anthem performed live. For that reason I’m adding it to the ADK Playlist, so that when I hear it back now, it will remind me of a great concert.

The Arctic Monkeys are due to headline at the Glastonbury Festival next weekend. I believe it is being televised by the BBC, so it will be a real treat for any music fan. I will take the opportunity to watch it all again.

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Recipes Snacks

Eurovision Popcorn

This weekend I am looking forward to watching the Eurovision Song Contest. It is, believe it or not, the 67th year of Eurovision. How much it has grown in that time, with hundreds of millions of viewers around the world each year, on TV and online.

This year is something of a one-off, however. The tradition is that the country that wins, hosts it in the subsequent year. 2022’s winner was Ukraine, immediately presenting a challenge as to the 2023 host. As most of you will have noticed, our friends in Ukraine are currently otherwise engaged in repelling an act of aggression from a neighbouring state, to the extent that hosting a massive, televised, international song contest is not exactly a top priority right now.

Step in the UK, who were runners-up in 2022 and have kindly offered to act as host this year. The musical extravanganza will take place on Saturday night, in Liverpool. The acts will follow in the footsteps of the city’s considerable pop music heritage, including the Beatles, Gerry & the Pacemakers, Echo & the Bunnymen, Teardrop Explodes, Frankie Goes to Hollywood, The Lightning Seeds, The Farm, and more…the list goes on. No pressure then!

Most of us in the UK have grown up with Eurovision as an annual event. In the early years, the UK had a reasonable degree of success, but wins, and indeed high rankings, have been hard to come by in recent years. The suspicion was that our well-publicised rejection of certain European institutions (I am refusing to mention the ‘B’ word) was translating into low scores from the juries of our neighbours. That theory was thrown into doubt last year, however, when Sam Ryder’s Space man came 2nd in the voting overall, teeing up the UK to act as surrogate host for Ukraine.

Over the years, Eurovision has grown into what is now a week-long event, with semi-finals in the lead-up to Saturday’s final. It’s a sign of its success, with so many more countries (including EU accession states from the former Soviet bloc, and even our friends down under in Australia – G’Day!) now wanting to associate themselves with membership of such a great European institution (I am still refusing to spoil the mood by mentioning the ‘B’ word).

Eurovision night is television party night, so get those finger foods ready. My staple, while watching the show live, will be homemade popcorn. The recipe for this is already posted, from my last major televised party occasion, the NFL Superbowl – please see Smoked Paprika Popcorn for details. It really is very easy to make, nutritious, fills the kitchen with a wonderful aroma and tastes great!

As it’s Eurovision, here are some alternative, themed options for toppings you can add at stage 6 in the recipe:

  • France: infuse a crushed clove of garlic in some olive oil, then shake over the popcorn to coat, with a few sprinkles of herbes de provence
  • Italy: drizzle over olive oil and a shake of pizza seasoning, then mix to combine
  • UK: drizzle rapeseed oil over the cooked popcorn, with a few twists of Cornish seasalt and cracked black pepper, then combine
  • Australia: an homage to our friends down under – mix a couple of tbsp Vegemite with the same amount of boiling water, to loosen, then coat the popcorn and mix

Feel free to come up with your own combinations for popcorn toppings and give them a try – German Mustard, Swiss chocolate, Balsamic vinegar and Scotland’s Irn Bru are all just waiting to take their place in this – a kind of crazy Eurovision Popcorn Contest, no less.

Musical choice for the ADK Playlist has to be the track that has brought Eurovision to the UK this year. Here is Sam Ryder with Space man.

Enjoy Eurovision, enjoy the popcorn.

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Blog

Two Worlds Collide

London is a stimulating place to spend a few days, as I did this past weekend. The place seems to be constantly evolving, and there is always something new to discover. I usually find it a dynamic and cosmopolitan environment where I can indulge my interests in food, music, heritage and culture. Well, this weekend was certainly that.

The main reason for our visit was to see Inspiral Carpets in concert (more of which in a moment).

While in London, we took the opportunity to visit Greenwich. A green oasis of parkland on the South Bank, it is also very, very old – full of symbols of empire and bastions of British sea power from centuries past. Greenwich Palace was the home of Henry VIII in the 16th Century, the site subsequently becoming the training college for officers of the Royal Navy.

The Cutty Sark, 19th Century sailing ship on old colonial trade routes, is now here resting in dry dock, and open to public visit. Like many of Britain’s institutions at the moment, the Royal Museums Greenwich are wrestling with how to most appropriately acknowledge and learn from their historic links to colonialism and the international slave trade. That’s a debate I expect will continue for some time to come.

And when you climb the hill to the 18th Century Royal Observatory (famous for being the home of global time zoning and Greenwich Mean Time) the old and new worlds become starkly apparent. As my main photo at the top of the post shows, looking out across the National Maritime Museum, these ancient symbols of British power and wealth are now dwarved by the 21st Century equivalent – the gleaming towers of Canary Wharf and the financial district.

Amidst these contrasting scenes, the daily life of Londoners goes on. These picnickers are enjoying the sunshine and fresh air. And we joined them.

Housed in an ornate, grand arcade, Greenwich Market is a real foodie delight. Although I am not vegan, I was particularly struck by the colour and invention on display at the Vegan Garden stall, as my photo below shows.

I couldn’t resist a slice of chocolate, pear and almond cake, which was delicious with an americano, see below.

The undoubted high point of this wide and varied culture fest, though, was seeing the Inspirals live at one of London’s iconic music venues, the O2 Shepherds Bush Empire. 90 minutes filled with one classic track after another, my favourite aspect being the Doors-esque Farfisa Organ lines played faultlessly by Clint Boon.

For the diehard afficionados, here is a setlist rescued from the stage at the end of the gig (and in case you’re wondering, no, those aren’t my fingernails).

The band have recently released a compilation of all 24 singles, with a selection of remixes. I could honestly have chosen any of them for the ADK Playlist. After a stimulating and hugely enjoyable few days, I will settle on this one, which seems to resonate with some of the themes in this post: Two Worlds Collide.

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Mains

Roast Beef with Red Wine Sauce

Happy Easter weekend everyone! It’s sunny and warm here in the UK but, I see, raining cats and dogs in Augusta, Georgia. How very inconsiderate of the weather, interfering with my planned post-dinner relaxation watching the US Masters. Oh well, while the golfing umbrellas are up, I will capitalise on the time to update you on my Easter weekend cooking.

I bought a joint of beef brisket from my local butcher and have slow cooked it with seasonal veg in a pot roast that seems to have gone down well with the troops. So here is the recipe.

Servings

There should be enough here for 6 adult servings, alongside your choice of roast veg.

Timings

10 mins to prepare, then leave it to slow cook for 6 hours or so.

You Will Need

  • 1kg rolled beef brisket
  • a swig of veg oil
  • 1 carrot, chopped
  • 1 parsnip, chopped
  • 1 onion, chopped
  • 1 leek, chopped
  • 200ml beef stock
  • 200ml red wine
  • 1 bay leaf
  • 1 tbsp red currant or cranberry sauce
  • 1 tsp cornflour dissolved in 2 tsp water

Method

  1. Warm the oil in a heavy-based wok or saucepan. Put in the beef brisket joint and sear until it is brown on all sides. Transfer to a warm plate.
  2. Put all the chopped veg into the warm oil and cook till browned.
  3. Add in the stock, wine, bay leaf and redcurrant/cranberry sauce. Bring to the boil and stir to mix.
  4. Combine the beef joint, veg and sauce in the vessel that you are going to slow cook in. I used an electric slow cooker on the low setting, but I have also cooked this dish in a Le Creuset casserole dish on the stove top, on simmer setting. You could also put it in a casserole dish and transfer to the oven at 140C. Whatever method you choose, the key factor is to let it stew for around 6 hours on a low heat. This will tenderise the meat, infuse the veg with a beefy taste and produce a sweetened sauce, or gravy.
  5. 6 hours later, remove the joint and set on a carving board, covered with foil to keep warm. Transfer the sauce to the hob and heat to reduce. Add in the cornflour and water mix to produce the thickness you desire. If you wish, add in further amounts of cornflour and water as necessary.
  6. Slice the meat and serve with a generous dollop of the red wine sauce. You can see from my photo that I served this with roast potatoes, roast parsnips, boiled carrots and brussels sprouts.

Customise It!

I would stick to the choice of joint, and proportions of beef stock and wine. The veg, however, you can vary up to include what is in season and what you have to hand. Some field mushrooms and some red or green peppers would go down well. Celery would be a brilliant addition.

As it is the Easter holidays, I have a special, longer track for the ADK Playlist. The 50th Anniversary of Mike Oldfield’s Tubular Bells has recently been a topic of celebration here in the UK, with a re-recorded version and concert tour.

At first I was slightly wary about a re-recording of a classic, that was as close to perfection as it is possible to get. However, the new version is actually pretty good, being very faithful to the original, and definitely worth a listen. It has been recorded with the Royal Philharmonic Orchestra, and the added strings, woodwind and percussion sections add significantly (there is no brass as far as I can tell).

I was curious to see who would take the place of Vivian Stanshall as MC, calling in the various instruments. My guess was Stephen Fry, but as it transpires it is Brian Blessed, in typically rumbustious and over the top fashion.

All in all, a lot of fun.

Make the most of this relaxing music – next week I am back in London to see one of my favourite ever bands, Inspiral Carpets, live at the O2 Shepherds Bush Empire. I am really looking forward to this, folks, so expect higher decibel levels to be resumed soon.

Happy Easter!

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Blog

Still Standing!

This week I’ve been to see Elton John at the O2 Arena in London, on his Farewell Yellow Brick Road Tour.

If there is a world record for longest wait between buying a concert ticket and going to the gig, this is a definite contender. The World Tour started in 2018, and we bought our tickets in 2019. The concert was scheduled for late 2020, only to be postponed due to Covid. Rearranged to late 2021, it was then postponed a second time when Elton injured himself, to be rearranged again to April 2023.

Until this week, the longest wait I’d had for a Covid-rearranged gig was 2 years, in the case of Elbow. When the night did finally arrive, the band took the stage and Guy Garvey greeted the audience with the simple message Good evening – sorry we’re late.

Elton, as it transpired, was on top form. I have never been a huge fan of his, though his Top Tracks have been booming from the speakers in the ADK kitchen these last few days. I hadn’t seen him live before and was conscious that, it being his Farewell Tour, this would be the last chance of doing so.

He’s playing quite a few dates this month at the O2 and, being something of a local lad, the place has been transformed in his honour. The walkway to the arena from North Greenwich Tube Station is lined with billboards showcasing his various outrageous styles and outfits, in photos from across the last five decades. Even my pint of IPA from the O2 bar was Elton-themed (see below).

He played for two and a half hours, with an accomplished backing band and very clear sound. The vocals still hold up well, and his excellent rock piano is high up in the mix throughout, so can be fully appreciated.

Being Elton, he changed costume twice during the show – each time reappearing in a dapper sequinned evening suit with (naturally) a new colour-co-ordinated pair of diamond-studded spectacles.

The set list comprised one belter after another, varied up with a couple of tracks that I hadn’t heard before from his early albums. All the classics were here – Candle in the Wind, Rocket Man, Don’t Let the Sun Go Down on Me to name a few.

The show built towards a rockier climax, with I’m Still Standing, Crocodile Rock and Saturday Night’s Alright for Fighting getting the O2 audience on their feet.

The encore consisted of his Cold Heart duet with Dua Lipa (who appeared via the big screen), Your Song and Goodbye Yellow Brick Road. Elton then waved farewell as he rode an escalator through the stage curtains. His image could then be seen on the big screen, walking into the sunset along said Yellow Brick Road.

All in all, well worth the wait!