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Still Standing!

This week I’ve been to see Elton John at the O2 Arena in London, on his Farewell Yellow Brick Road Tour.

If there is a world record for longest wait between buying a concert ticket and going to the gig, this is a definite contender. The World Tour started in 2018, and we bought our tickets in 2019. The concert was scheduled for late 2020, only to be postponed due to Covid. Rearranged to late 2021, it was then postponed a second time when Elton injured himself, to be rearranged again to April 2023.

Until this week, the longest wait I’d had for a Covid-rearranged gig was 2 years, in the case of Elbow. When the night did finally arrive, the band took the stage and Guy Garvey greeted the audience with the simple message Good evening – sorry we’re late.

Elton, as it transpired, was on top form. I have never been a huge fan of his, though his Top Tracks have been booming from the speakers in the ADK kitchen these last few days. I hadn’t seen him live before and was conscious that, it being his Farewell Tour, this would be the last chance of doing so.

He’s playing quite a few dates this month at the O2 and, being something of a local lad, the place has been transformed in his honour. The walkway to the arena from North Greenwich Tube Station is lined with billboards showcasing his various outrageous styles and outfits, in photos from across the last five decades. Even my pint of IPA from the O2 bar was Elton-themed (see below).

He played for two and a half hours, with an accomplished backing band and very clear sound. The vocals still hold up well, and his excellent rock piano is high up in the mix throughout, so can be fully appreciated.

Being Elton, he changed costume twice during the show – each time reappearing in a dapper sequinned evening suit with (naturally) a new colour-co-ordinated pair of diamond-studded spectacles.

The set list comprised one belter after another, varied up with a couple of tracks that I hadn’t heard before from his early albums. All the classics were here – Candle in the Wind, Rocket Man, Don’t Let the Sun Go Down on Me to name a few.

The show built towards a rockier climax, with I’m Still Standing, Crocodile Rock and Saturday Night’s Alright for Fighting getting the O2 audience on their feet.

The encore consisted of his Cold Heart duet with Dua Lipa (who appeared via the big screen), Your Song and Goodbye Yellow Brick Road. Elton then waved farewell as he rode an escalator through the stage curtains. His image could then be seen on the big screen, walking into the sunset along said Yellow Brick Road.

All in all, well worth the wait!

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The Thrill of It All

This weekend just gone is one I had been looking forward to for some time. Tickets to see Roxy Music at the O2 Arena in London were a lovely surprise birthday present, and the day had finally arrived!

Roxy have directly influenced so many trends in music, from glam rock, punk and new wave to the new romantics and so much indie and electronic music since. It is difficult to convey how markedly different they were when they first arrived on the scene – an eclectic blend of suave crooning over buzzing guitar, blasting rock sax and experimental keyboards. Unique and original, they really were unlike anything we had seen before.

I have always been a fan of Roxy, and this show did not disappoint. The band performed lots of tracks that I have been listening to for years on vinyl and cd, and still nowadays on Spotify – Virginia Plain, Do the Strand, In Every Dreamhome a Heartache, Love is the Drug – to name a few.

Of course, with the passage of time, Ferry, Mackay, Manzanera and Thompson are all a little older and mellower. However, it still feels a privilege to be in the presence of the original band members when performing these era-defining songs.

My favourite track was Editions of You, played out at the O2 before an Andy Warhol-inspired backdrop, featuring garishly coloured lino prints of that famous Campbells Soup tin, and stars such as Marilyn Monroe and Jackie O. To these had been added vintage portraits of the band members from their heyday, in the same pop art style, acknowledging their own place in the pantheon of modern cultural icons.

I don’t know if we will see a tour like this again from Roxy, but if not, this is a fine way to remember the band and celebrate their wonderful legacy.