Categories
Blog Music

The 1975

As a massive music fan (the blog tag line here being Good Food, Great Music), I’m excited to say that this week’s live music experience (see The Lexicon of Love) has continued.

There I was in the ADK Kitchen, working on my next post about a nice vegetarian soup, when a friend called with the offer of a spare ticket to see The 1975 at the Resorts World Arena in Birmingham. I hadn’t heard too much of their music, but am always game to see a new band play live, especially one as globally successful as The 1975. Apologies – that soup recipe will have to wait until this weekend, folks!

With my apron hung on its peg, and the spatula in the dishwasher, we headed off in my friend’s car towards the M40.

We weren’t disappointed – The 1975 were very good.

The stage was set extremely stylishly (see my photo above), all in white and, for the first part of the show, decked out like the cool interior of a chic apartment. Warmly illuminated in changing pastel shades, the coffee tables, lamps, armchairs and TV sets created a relaxed feel, against which the band played great music and their engaging frontman, Matty Healy, acted out his inner angst.

I am still not sure whether Matty really is the chainsmoking, hip flask swigging, tortured romantic soul that comes across on stage, or whether this is just a character portraying the emotional vulnerability that runs through the lyrics of so many of the band’s songs. The answer, I suspect, is somewhere in between.

Track after track of their brand of soulful pop rolled out across an adoring audience – some of their biggest songs, like Oh Caroline and I’m In Love With You, included.

They’re clearly a band that like their performance art, and this is stepped up in the middle part of the show. With the band off for a break, Matty, alone on the stage, sinks to his knees before a bank of TV sets, fizzling with snippets of newscasts reporting global issues of concern. I won’t say any more for fear of spoilers, but what happens next is fascinating.

Some people in white coats swarmed on to the stage. No, not to take Matty away – it was the stage crew, who proceeded to rearrange the set for the second half of the show while the band played on. It reminded me of how the road crew build Talking Heads’ set from the floor up, track by track, during the great concert movie, Stop Making Sense.

The final hour of the set was a joyous celebration of the band’s best music, including Tootime, The Sound, Love It If We Made It, and People. It brings pleasure to the whole of a packed arena. Heck, it even brings a smile to Matty’s face.

All in all, a thoughtful, considered, ever changing, engaging and very entertaining performance. I now consider myself a fan!

Here’s one of my favourite tracks that they performed live. The 1975 with It’s Not Living (If It’s Not With You).

I’ll be back at the weekend with, er, some soup.

Categories
Blog Music

The Lexicon of Love

The Lexicon of Love by ABC had been playing for several days in the ADK Kitchen, in anticipation of this long-awaited live rendition that I attended this week.

2022 was the 40th anniversary of the iconic album, no less. Where did that time go? The occasion has prompted band leader, Martin Fry, to go on the road on a UK concert tour, performing the work in full. He’s ably supported by the current members of ABC and the Southbank Sinfonia, an orchestra with full strings and percussion sections, conducted by Anne Dudley. Anne was responsible for the orchestral backing arrangements on the original album. She is also known for being part of experimental 80s band, The Art of Noise, along with the album’s producer, Trevor Horn.

To justify such an extravagant tour, an album really needs to hold a special place both in pop heritage, and in the hearts of its audience. That certainly apples here, with a full house of now, somewhat more mature fans still able to sing along, word perfectly, with every track.

Martin takes the audience through the album’s running order, track by track. He reminds us of the days when music was experienced by removing a vinyl disc from a cardboard sleeve, and putting it on a turntable. You placed an arm with a needle on the outside rim and let it run for about 15 mins of joyous sound, until it reached the label in the middle. Then, you flipped it over and did the whole thing again with Side 2. Concepts like streaming, mobile phones and online playlists with shuffle option, were still the stuff of science fiction.

Consequently, the band started with the opening track on Side 1, Show Me, and played the album in its proper running order, right through to the final track on Side 2, the instrumental reprise of The Look of Love. Along the way, every track, including the hit singles Poison Arrow, Tears Are Not Enough, The Look of Love Pt. 1 and All of My Heart received a rapturous welcome.

I was one of the many who played the original (on my little stereo turntable – what else?) more or less on repeat for quite some time when it was first released. It was a time when the New Romantics and Bowie Kids were emerging from the underground nightclubs and beginning to take over what, in those days, were popularly referred to as ‘The Charts’.

The Human League were showing us that electronic pop music was the future, with the Dare album. Spandau Ballet were sporting silk shirts and tartan cummerbunds, later becoming soul boys, embracing funk. Depeche Mode, Duran Duran, Visage, Ultravox and others would join them for what became known as the Second British Pop Invasion of the US (the first being the era of The Beatles and The Stones), providing a fresh, colourful and youthful soundtrack for the newly emerging world of 24/7 music television, MTV.

ABC’s masterpiece held a special place in the hearts of this generation.

A trip down memory lane, for sure, but the music still sounds as great as ever, brought to life here on the stage with a great band and the perfectly performed orchestral backing. Martin Fry’s voice holds up fine, and the intricate wordplay of his lyrics still sounds clever and witty. A performance that leaves a warm glow in the heart.

In a nice closing touch, Martin dedicated the performance to both the New Romantics and the Old Romantics in the audience.

Here’s ABC with The Look of Love Pt. 1.

Categories
Desserts Recipes

Cherry, Mascarpone & Biscotti Dessert

Here’s a Valentine’s Day dessert that you will love. Layers of bittersweet cherries, creamy mascarpone cheese and crumbled almond biscotti combine in a bowl of deliciousness that is both smooth and crunchy.

In fact, don’t just keep it for Valentine’s Day – this is so good it will wow your dinner guests any day of the year.

Servings

This will make 4 individual desserts like the one shown above.

Timings

20 mins to prepare the 3 component layers in advance, then a further 5 mins to combine.

You Will Need

  • 180g cherries, chopped into quarters with stones removed
  • 2 tsp icing sugar
  • Juice of half a lemon
  • 150g mascarpone cheese
  • 150g greek yoghurt
  • 1 tsp vanilla extract
  • 100g almond biscotti
  • glass tumblers to serve

Method

  1. Put the cherries in a bowl with 1 tsp icing sugar and the lemon juice. Give it a good stir so that all the cherries are coated in sugary juice. Set aside for 10 mins to soak, while you prepare the rest.
  2. In a separate bowl, mix together the mascarpone, yoghurt, the other tsp icing sugar and vanilla. I used an electric mixer to make sure the thick mascarpone was integrated with the thinner yoghurt.
  3. Put the biscotti in a bag and crush it to rough crumbs with a rolling pin. This is fun, so give it a good bash and take out all your frustrations!
  4. Steps 1 – 3 can be done well in advance of serving. My photo above shows the three component parts, ready to be layered.
  5. The next steps should be taken no more than 2 hours before serving. This is so that the crushed biscotti retains its crunch and does not go soggy. Noone wants soggy biscotti.
  6. Put half the crushed biscotti in a layer across the bottom of each of the glasses. Top with a layer of half of the mascarpone mix, then half the cherries.
  7. Follow this with one further layer of the remaining biscotti, the mascarpone, and finally the cherries on top.
  8. Serve. The layering means that as you dig down into the glass with your spoon, you mix it up and get a taste of all the parts together.

Customise It!

I am a fan of the classic taste combination of cherry and almond, hence this recipe. However, you can experiment with other types of biscuits – amaretti or biscoff would work well. Equally, you could substitute other fruit for the cherries – maybe raspberries and blueberries, or a mix of both.

Time for a Valentine’s themed track on our ADK Spotify Playlist. Here is some early Simple Minds with Love Song.